Digital Roar Studios was an indie startup where I worked with a team of artists, designers, and programmers as a writer and narrative designer. I created missions, characters, environments, and an epic mythos that was part of a much larger expanded universe.
the INTERPLANETARY ALLIANCE
Rugged. Tough. Industrial. These are the brave pioneers of the Interplanetary Alliance. They began as simple mining colonies, but their leaders recently declared each inhabited planet or moon to be its own autonomous state free from Earth's control.
The articles of incorporation that formed the Sovereign Interplanetary Alliance established Mars as its capital. These articles are still not recognized by the Earth Empire.
Though they can function as a hive mind, they have the ability to sever or reconnect their connection at will and are fully independent, intelligent thinkers.
The Kj’hal are gender-fluid, and throughout their life span, they cycle back and forth between male and female, allowing them to mate with themselves.
Their bio-technology creates living, thinking vessels. Indeed, everything about the Kj’hal, even down to their missiles and bombs, has some degree of consciousness and free will.
PHAYRUMIC EMPIRE of earth
Pilots of the technologically sophisticated Earth Empire are elite, aloof, and hyper intelligent. They represent the ultimate combination of mental power and physical strength. Their ships and their bodies are charged with glowing psionic energy, making them deadly to the touch.
Phayruminism is the religion of the Empire, derived from discoveries made from alien technology found on the planet during the Desolation. Science and meditation have since combined to augment the human experience, leading to expanded powers and perceptions.
Digital roar studios
Digital Roar was an indie studio from 2008-2011.
Many of our programers and artists have used the work we did at DR to propel them to careers at companies like Bungie, Black Tusk, Tripwire Interactive, Dreamworks Animation, Pixar, and others.
One of the most rewarding things about working with the team was our frequent excursions to game development conferences in Atlanta and nearby Raleigh, NC where myself and other team members gave presentations, served on panels, and staffed the company booth on the expo floor.
The Ascension Stageplay
I was selected as one of six playwrights to develop my work at the 2010 WordBRIDGE playwriting lab. The play I developed, Ascension War, is set before the events of the games and is an important part of the Ascension mythos.
At WordBRIDGE, I workshopped for three weeks, receiving feedback from professional dramaturgs, directors, designers, actors, and resource artists. The play received three full staged readings.
This is a short module that I made for my D&D group. This interactive nightmare represents a dream that one of the characters experienced between adventures, and I adapted the campaign based on the outcome.
Sure Thing is a classic comedic play by David Ives. In the play, two strangers meet in a cafe. As their conversation progresses, a bell rings when one character responds unfavorably, and the conversation resets as if time had been rewound. My interactive version of Sure Thing is a word-for-word translation of Ives' text with the conversational resets presented as user choices.